LUIS SALA

Luis Sala is a professional dancer, teacher and choreographer from Maputo, Mozambique.  He has danced for the National Song and Dance Company of Mozambique for 10 years, assuming the role of principle soloist from 2000 to 2007, inclusive.  Luis has performed for over 70 presidents and historical figures such as Queen Elisabeth, Nelson Mandela, and Hilary Clinton and had a chance to be in the Movie Ali by Will Smith.  He has toured across four continents and worked for numerous international choreographers, including but not limited to: Donald Byrd, Chuck Davis, Jawole Whila Zollar, George Khumalo, David Zambrano, Arco Renz, Bettina Holzhousen, Kwame Rose, Lia Rodrigues, Clara Andermatte, Francisco Camacho, David Abilio and Casimiro Nhussi.

In 2000 Luis started choreographing his own full length shows. He also choreographed for the FIFA WORLD CUP and for the South African Rugby League. In Luis’ creations he has worked with dancers, Capoeira masters, and musicians from Mozambique, Brazil, South Africa, Canada, England, Portugal, Spain, Norway, Reunion Island and Austria. He has taught internationally, in Mozambique, South Africa, Zimbabwe, USA, Canada, Portugal, Lybia  and China. Ssince Luis returned back to Mozambique, he started a professional training program to increase the professional level in dance throughout the country, and collaborating with other countries in Southern Africa and Indian Ocean.

Luis is also one of the main partners with MoNo, (collaboration between Mozambican and Norwegian Government).

UTE FENDLER

Ute Fendler holds the chair of romance cultural and comparative studies at the University of Bayreuth. Francophone, Hispanophone, Lusophone literatures and film/TV (Africa, Caribbean, Canada, South America). Her main research interests are: intermedial and intercultural phenomenon, migration, iconographies, popular culture, performance.

Director of the Institute of African Studies (2011-2015), Deputy Director of Bayreuth Academy of Advanced African studies (since April 2015).

Some recent publications include:

U. Fendler et al.: Transformations. Changements et renouveaux dans la littérature et la cinéma au Maghreb depuis 1990. München: AVM, 2015.

U. Fendler/ Liliana Feierstein: Enfances? Représentations de l´enfance en Afrique et en Amérique Latine. München: AVM, 2013.

DVD-Edition: together with INAC (Instituto Nacional de Audiovisual e Cinema) and ICMA (Instituto Cultural Mocambicano-Aleaao): Imagems do mundo. DVD-Edition 2012 and 2013. Material from the Archives of INAC.

Articles

  • “The missing people – the return of the „people“? Fictocritical positions in the art scene in Maputo”. In: OS INTELECTUAIS AFRICANOS FACE AOS DESAFIOS DO SEC. XXI, Actas da segunda conferência 2012, 2014, 317-330
  • “Cinema in Mozambique: New tendencies in a complex mediascape.“ In: Critical Interventions, 2014, 18pp (online)
  • “Narrating the Indian Ocean: challenging the circuits of migrating notions.” In: Michael Mann/Ineke Phaf-Rheinberger (eds): Beyond the Line. Cultural Narrations of the Southern oceans. Berlin: Neofelis, 2014, 179-198
  • “Nouvelles icônes: enfants-soldats et jeunes guerriers.“ In: Fendler/Feierstein (eds.): Enfances? Représentations de l’enfance en Afrique et en Amérique Latine. München : 2013, 275-287
  • “La question de l’universel ou Traveling Tales. L’exemple de Maryse Condé.“ In: Mourad Ali-Khodja/Jean-Francois Thibault: Des apories de l’universalisme aux promesses de l’universel : chantiers pour une réflexion. Québec: Presses Universitaires, “Mercure du Nord”, 2013, 73-85.

JOHN KAMICHA

John Kamicha (1976) is an artist who lives and works in Nairobi. His work explores the crossover between religion, sex, politics and entertainment (sports, music, dancing). He is more interested in the content of his work than the style and is more attracted by the extremes than by the normal. He
has strong dislikes for trends. His experimental approach spans painting, collage and video. He is a legendary and freestyle dancer.