Since the exhibition FAVT is not only quite comprehensive, but also quite extensive, in size as well as context, we created booklets, little guiders, to explain in a little bit more detail what the artwork shown is concerned with and how the exchange and collaboration of artist and researcher reveals itself in the process. Additional they incorporate reflections on the artworks and the specific projects. In this innovative process not only differences between the approaches appear, but more importantly, the communalities shared by the different disciplines.
The booklets connect the artists and researchers, but also the curatorial concept underlying the project. Through 8 keywords relating to specific aspects of the topic: Future Africa – Visions, the connection between each project of the exhibition and the research of the Bayreuth Academy is made even more visible.
Designer Emeka Alams created symbols for each keyword presented in the booklets according to the kategorization made by the curators. They represent the aspect of future reflected on in the artwork and therefore serve as a guiding line through not only the physical exhibition space but also the mental journey it takes you on.
Check out Kae Suns video
Being one of the participating artists, he will show his new video to the song LONGWALK in the upcoming exhibition! You can find a little preview here with Kae on Okayafrica
The collaboration took place in Bayreuth along with another artist presenting in the exhibition, designer Emeka Alams from Gold Coast Trading Company. For a little deeper inside, have a look at his interview with Art Nouveau Magazine Emeka on an-mag
Time flies and you better be ready for it!
kara lynch is a time-based artist living en exilio in Brooklyn, NY. Born in the auspicious year of 1968. Ambivalent towards hyper-visual culture, she is curious about duration, embodiment, and aural experience ; and through collective practice and social intervention lynch explores aesthetic/political relationships between time + space. Her work is vigilantly raced, classed, and gendered – Black, queer and feminist. kara is a member of Interdiciplinario, La Linea, a feminist artist collective on the Tijuana/San Ysidro border. She completed her MFA in Visual Arts at UCSD, a Permaculture Design Certification from the Center for Bioregional Living, and and has been a research fellow in the African and African Diaspora Studies Department, University of Texas, Austin and the Academy for Advanced African Studies at Bayreuth University in Germany. She currently earns a living as an Associate Professor of Video and Critical Studies at Hampshire College in Amhest, MA.
Major projects include: ‘Invisible’ – an episodic, speculative installation and performance project; ‘Mouhawala Oula’ – a trio performance for oriental dance, live video and saxophone, ‘Black Russians’ – a feature-length documentary; and ‘The Outing’ – a video travelogue. Awards for her video and performance work include iFilms and PlanetOut and Individual artist grants from Lila Wallace, NYFA, NYSCA, Paul Robeson Foundation, and Franklin Furnace. She has participated in various artist residencies: Arts International Residency in Moscow; the Banff Centre for the Arts; el Laboratorio Fronterizo de Escritores/Writing Lab on the Border; and the Civitella Ranieri Center in Italy. She is published in XCP Streetnotes, Ulbandus Review, BFM, contributed audio to Cabinet Magazine, video to PocketMyths, and drawings/writings to the Encyclopedia Project v.II F-K. lynch is currently co-editing the forthcoming anthology: We Travelled the Spaceways – Black Imagination, Fragments and Diffractions.
Zohra Opoku (DE/GH) is an Accra-based versatile artist whose work employs media including installations, photography and video to explore the sophistication of textile cultures in disparate spaces targeting fashion’s political and psychological role and socio-cultural dynamics in relation to African history and individualistic or societal identities.
This experience enroots her aesthetic practice into sculptural modules as her [in]direct social commentary as seen in THE BILLBOARDPROJECT, composed of big scale installations of second-hand clothes which were displayed in central Accra. She is employing metaphors of repetition and disguise in her portrait series TEXTURES and SIDESPECIFIC presented in specifically identified locations.
Opoku holds an MA (2003) in Fashion from the Hamburg University of Applied Sciences. Her residencies include Art OMI, Ghent (NY/2012)/, Iwalewa Haus Bayreuth (DE/2013) and Jan van Eyck Institute (NL/2014). Opoku was recently awarded a fellowship for the Kala Institute Berkeley (CA/2015). She is included in the touring group exhibitions Making Africa (2015-20) curated by Amelie Klein and Okwui Enwezor. Upcoming exhibitions include the Material Effects curated by Yesomi Umolu at Eli and Edythe Broad Art Museum, Michigan and Designing Futures curated by Christina de Middel at the LagosPhoto Festival 2015.