This project by Kiluanji Kia Henda is a poetic journey into a moment in time and space, both utopian and dystopian: 1975 in Luanda, Angola’s capital. After a liberation war and the Carnation Revolution in Portugal, it is the year before Angola finally became independent from its colonizer. The film describes an choking condition from the perspective of a Portuguese individual who is about to leave the country where he lived his whole live and who contrary to the independent Angolans who lived a utopian moment, saw no future. But he also doesn’t know where to go. Inspired by the first chapter of the book of the Polish journalist and writer Rychard Kapuscinsky, “Another Day of Life – Angola 1975”, this film also transports the images of modernist architecture of Luanda into the past. At the start of the projection the narrator wakes up from a nightmare, only to see that reality is just as hopeless as his dream world. It is his last day in the city and he is hesitant to leave.
Annalisa holds a PhD from the University of Edinburgh. As a post-doctoral researcher at the Academy for Advanced African Studies, she is working on a book project provisionally entitled Creating Somalia: The United Nations, nationalism and the end of empire in East Africa (1945-1969).
Both a photographer and researcher on visual histories of Mozambique, Rui Assubuji is currently working in European archives. His academic base is the University of the Western Cape, Bellville/South Africa.
Apart from doing many photographic exhibition and international projects; Assubuji most recently edited the Kronos edition on Mozambique: Nationalism and Historiography (with Paolo Israel and Drew Thompson). You can find the TOC here.
Within the Bayreuth Academy of Advanced African Studies, Rui Assubuji is involved in the research of sub-project 1, “Narratives of Future in History“.
Prof. Dr. Achim von Oppen is professor of History with special emphasis on the History of Africa at the University of Bayreuth. Geographically focusing on Eastern and Central Africa, his research interests include social, cultural and religious history in rural and urban contexts, history of space and history of knowledge. He is first director of the Bayreuth Academy of Advanced African Studies as well as project leader of sub-project 1, “Narratives of Future in History“.
Among his publications are:
- (ed., with Silke Strickrodt): Religious biographies in Southern Africa. Thematic cluster in Journal of Southern African Studies, 2012
- (ed., with Ulrike Freitag): Translocality. The study of global processes from a southern perspective. (Studies in Global Social History, 4) Leiden: Brill
- (ed., with Beatrix Heintze), Angola on the Move / Angola em Movimento. Transport, Communications and History / Vias de Transporte, Communicação e História. Frankfurt/Main: Lembeck
- The painting and the pen. Approaches to Heinrich Barth and his African heritage” In: Mamadou Diawara, Paulo Fernando de Moraes Farias und Gerd Spittler (eds.), Heinrich Barth et l’Afrique. Köln: Rüdiger Köppe Verlag, pp. 105-132
- A place in the world. Markers of the local along the Upper Zambezi. In: Peter Probst and Gerd Spittler (eds.) Between Resistance and Expansion. Explorations of Local Vitality in Africa (Beiträge zur Afrikaforschung, 18), Münster: LIT Verlag, pp. 175-192
- The Village as Territory. Enclosing Locality in Northwest Zambia, 1950s to 1990s. In: Journal of African History 47 (2006), 1, pp. 57-75
- (with Ulrike Freitag) Translokalität als ein Zugang zur Geschichte globaler Verflechtungen. In: Matthias Middell and Rüdiger Hohls (eds.), Fachforum
- Terms of Trade and Terms of Trust. The history amd contexts of pre-colonial market production on the Upper Zambezi and Kasai (ca. 1790-1910). (Studien zur Afrikanischen Geschichte, Bd.6). Münster: LIT-Verlag