KARA LYNCH

kara lynch is a time-based artist living en exilio in Brooklyn, NY. Born in the auspicious year of 1968. Ambivalent towards hyper-visual culture, she is curious about duration, embodiment, and aural experience ; and through collective practice and social intervention lynch explores aesthetic/political relationships between time + space. Her work is vigilantly raced, classed, and gendered – Black, queer and feminist. kara is a member of Interdiciplinario, La Linea, a feminist artist collective on the Tijuana/San Ysidro border. She completed her MFA in Visual Arts at UCSD, a Permaculture Design Certification from the Center for Bioregional Living, and and has been a research fellow in the African and African Diaspora Studies Department, University of Texas, Austin and the Academy for Advanced African Studies at Bayreuth University in Germany. She currently earns a living as an Associate Professor of Video and Critical Studies at Hampshire College in Amhest, MA.

Major projects include: ‘Invisible’ – an episodic, speculative installation and performance project; ‘Mouhawala Oula’ – a trio performance for oriental dance, live video and saxophone, ‘Black Russians’ – a feature-length documentary; and ‘The Outing’ – a video travelogue. Awards for her video and performance work include iFilms and PlanetOut and Individual artist grants from Lila Wallace, NYFA, NYSCA, Paul Robeson Foundation, and Franklin Furnace. She has participated in various artist residencies: Arts International Residency in Moscow; the Banff Centre for the Arts; el Laboratorio Fronterizo de Escritores/Writing Lab on the Border; and the Civitella Ranieri Center in Italy. She is published in XCP Streetnotes, Ulbandus Review, BFM, contributed audio to Cabinet Magazine, video to PocketMyths, and drawings/writings to the Encyclopedia Project v.II F-K. lynch is currently co-editing the forthcoming anthology: We Travelled the Spaceways Black Imagination, Fragments and Diffractions.

SYOWIA KYAMBI

Miriam Syowia Kyambi (b.1979) is a multi-media artist of Kenyan and German heritage based in Nairobi, Kenya. Her work combines performance with impermanent and permanent mediums including clay, sisal, paint and photography. Much of her work dissects and brings to question perception and memory. She examines how the contemporary human experience is influenced by constructed history, past and present violence, colonialism, family and sexuality.

Often the result is an orchestration that engages the viewer in a dynamic process that leaves behind a powerful visual impression.

Syowia graduated with a Bachelor of Fine Arts degree from the School of the Art Institute of Chicago, USA (2002) where she resided for five years before returning to Kenya in 2003.

She has been the recipient of several prestigious awards and grants including 2nd place in the UNESCO Award for the Promotion of the Arts; the Art in Global Health Grant from the Welcome Trust Fund in United Kingdom; a grant from Mexico’s External Ministry of Affairs; and commissions by the Kenya Institute of Administration, the National Museums of Kenya and the Art 4 Action Foundation in Kenya. Her work has been shown in Belgium, Finland, Kenya, Mali, Mexico, South Africa, and the United States of America.

by Nabila Alibhai