We are more than happy to give you a little preview on the exciting project My Mother´s Mother by Syowia Kiambi.
The work My Mother’s Mother is a room installation that fuses women´s voices from both German and Kenyan urban spaces, women living in the middle class milieu. The domestic references created with wallpaper, floor laminates, curtains and ceramic cups symbolize both fragility and strength.
We all have aspirations for a better life that goes beyond the basics of food, shelter, income and love. Often the idea of what this life should consist of is influenced by the consumer market, is governed by our educational and work environment and influenced by political, business and social agenda´s. Thinking that we make choices completely on our own accord is wishful thinking. Gender issues are extremely coded and elusive to grasp in their entirety. Women are the backbone of social structures and they in various ways, hold varying degrees of influence, utilising often-subversive approaches in the shaping of our lives.
In the work My Mother´s Mother you will hear a few voices some content with their lives but most are in a battle of self-preservation.
Nástio Mosquito born in 1981 in Angola, largely educated in Portugal, and now currently living in Belgium, Nástio Mosquito is emerging to be one of the most exciting artists of his generation and was recently awarded the Future Generation Art Prize. Rooted in the broadcast industry, where he worked previously as director and cameraman, his practice embraces video and music, performance and installation.
Theatrically, Mosquito takes centre stage in his work. He often assumes roles, through mimicry, in order to express ideas occurring to him, not so much as his own cherished beliefs but rather observations on human folly manifested in modern life. The distance between his actual identity and such characterisations enables him to express himself variously as being transgressive, cool, cynical, profane and vulgar. “Nástia”, a know-it-all with a Russian accent – a monster engendered by the Cold War – epitomises this tendency, and often makes an appearance.
Mosquito has performed at music festivals within the context of visual arts programmes – Biennale of Bordeaux (2009), Tate Modern (2012), Berardo Collection (2013) – whilst having a lively online presence, including an app, and a recently released album, Se Eu Fosse Angolano. Ikon presented DAILY LOVEMAKING, Nástio Mosquito’s first solo museum show from February –April 2015 in Birmingham
Previous group exhibitions include 9 Artists at Walker Art Center (2013); Politics of Representation, Tate Modern (2012); and the 29th São Paulo Biennial (2010).