FLORIAN STOLL

Florian Stoll holds a Magister in Philosophy and Sociology and received his PhD in 2011 from Albrecht-Ludwigs-University in Freiburg on “Forms of temporal habitus in Recive, Brasil. He teaches at the University of Bayreuth and since May 1st, 2013 he holds the Post-Doc position of the research Project Middle Classes on the Rise: Concepts of the Future among Freedom, Consumption, Tradition and Moral, which belongs to the Bayreuth Academy Project “FUTURE AFRICA – Visions in Time

He is also part ofthe transnational research group “Global Inequality, Social Classification and Existance” under the leadership of Prof. Dr. Boike Rehbein (Humboldt-Universität Berlin).

Some of his publications include:

Stoll, Florian 2012: Leben im Moment? Milieus in Brasilien und ihr Umgang mit Zeit. Frankfurt/Main; Campus.

Stoll, Florian; Leithäuser, Thomas (Herausgeber; 2014) Mirian Geldenberg (Autorin) (Hrsg.) 2014: Untreu. Konstanz; UVK.

EMEKA ALAMS

Emeka Alams was born in Nigeria and his name has a strong meaning: God has done something wonderful
He has spent his life between western Africa, Europe and the States. He feels like a semi-homeless person, and can’t help but feel nostalgic about Africa from New York, city where he currently lives and works. The strong feeling of belonging to the continent fills his spirit and the one of Gold Coast Trading, the brand he has created.
Emeka sets a date in the story of his journey Live from the coast for when it all began, it’s 1444, the same year in which European colonists began the deportation of the first Africans. The first breaking point with a cultural world filled with suggestion that the African continent is trying hard to defend today and that those that have grown in the States or in Europe are loosing.

– See more at: http://www.vogue.it/en/vogue-black/the-black-blog/2011/04/gold-coast-trading#sthash.N3eK3Oxv.dpuf

picture: Amber French

KITSO LYNN LELLIOTT

Kitso Lynn Lelliott is a filmmaker and artist based in Johannesburg South Africa. She has Bachelors degree in Fine Art and a Masters in Film and Television from The University of the Witwatersrand. Her work is preoccupied with articulations from positions beyond epistemic power and opening up spaces where the huge silences of subjectivities that have been written out can come into view. She is interested in ways that narratives and histories become privileged, those that proliferate being those that reflect and reinstate the power structures of globalisation as it has emerged from a colonial and imperial past. Her preoccupation lies in ways historical narratives shape our contemporary world and processes of revisionist re-membering of histories as a way of engaging memories, traumas and ghosts of the past.

Her work has shown at film festivals and exhibited in galleries and museum shows around the world including Africa in Motion, Cine Sud, Cap au Sud, Tri-Continental FF, Next Reel FF, the Uganda Museum, Galerija101 Lithuania, the Goethe on Main, Nubuke Foundation gallery in Accra and Johannesburg Art Gallery. She participated in the Durban Talent Campus and the Berlinale Talents. Kitso is alumna of the CCA Lagos Asiko art school residency at the 2014 Dak’Art Biennale. She was named as one of the Mail and Guardian’s 2014 leading 200 young South Africans, is laureate of the 2015 Visas pour la création Grant awarded by the French Institute and will exhibit in the Bamako Encounters 2015. She is currently working through video and installation dealing with socio-cultural formations that took shape over the Atlantic during the African slave trade, a project initiated during a two-month artist’s residency in Brazil supported by the UNESCO Aschberg Bursaries program and the Sacatar Foundation. She is pursuing her PhD, which is concerned with narratives of and enunciations form spaces of elision and the imaginative relationship between the African Diaspora in Brazil and the west coast of Africa.

INGRID LAFLEUR

Ingrid LaFleur uses multiple forms of media to investigate possible avenues for psychosocial healing. With a special interest in the idea of transcendence, LaFleur researches ancient practices of ritual and alter making, mythologies, alternative healing modalities and spirit science. Ultimately LaFleur creates receptive spaces for engaging “blackness” and dismantling the fear associated with the black body.

In 2012, LaFleur founded AFROTOPIA, an evolving creative research project that uses Afrofuturism as a social engagement practice. The project website is afrotopiaisnow.com

Based in Detroit, LaFleur has presented her work on Afrofuturism at Centre Pompidou (Paris), University of Bayreuth (Bayreuth, Germany), Bucknell University (Lewisburg, PA), TEDxBrooklyn, TEDxDetroit, College for Creative Studies (Detroit) among others.

PICTURE:  http://4.bp.blogspot.com/-139OB8Bgih0/T2X6udIQf2I/AAAAAAAADwY/60e3OZ-avpM/s1600/Ingrid%2BLaFleur.jpg