What are the interrelations between Africa and Europe in World War I? How is Bayreuth involved, which history is told and how many different versions of history exist and how do they influence the future(s)? Ultimately, the project Remembering the Future through World War I poses existential questions about power structures, memory and alternative histories. Download the booklet here.

Booklet Faint Testimonies


Ever thought about the interrelations of socialist countries in Africa? Get some insights on personal experiences of Africans studying in former socialist countries, their expectations, experiences and impressions below in the booklet to the project Africans in the Soviet Union.

Booklet Africans in the Soviet Union


We are proud to give you a little insight on the project of Ulf Vierke and Delio Jasse, Warning! Not Fixed

Warning! Not Fixed is a story about the act of looking and the illusion of images. It highlights the ephemeral that is also characteristic for this end of photography as process. There is one central question: How does the process of remembrance work? Images, namely strong images or artworks in our memory are different from what we usually call knowledge. Images ‘adhere’, they stick to our memory usually without being on hand immediately. But do they really become disposable in the sense of applicable knowledge later on? The hypothesis underlying our experimental installation rather assumes that the initial image stays intact without being remembered as such; in the process of remembering the image we create new images instead of bringing back the initial one. Thus like retouches we put layer over layer of new-remembered images on top of the initial one. A consequence of the “remembering” is not a destruction but distancing of the original image. In our installation every individual act of looking at the image pushes one-step away from the initial image. The individual process of remembering described above is turned into a collective process. Warning! Not Fixed is as much about the individual’s process of remembering an image, as it is about the collective venture “archive”. The archive unfolds as a process not that much about the past but about futures, possible future remembrance.