Get information on the performance project Ecos da Opressao by Luis Sala and Ute Fendler, working with expressive dance and coreography in the booklet to download below.
Missed Kara Lynch and Peggy Piesche´s activative performance on their project Deposits of Future? Get some additional information, the artist´s view and more insights into the reflective project here and just download the booklet below.
We are more than happy to announce the performance S.E.F.A. by Nastio Mosquito for our exhibition opening on the 7th of November. Be prepared, that´s one you shouldn´t miss.
Courtesy Nástio Mosquito ©, Photo by Margaux Kolly ©
“Se Eu Fosse Angolano” (S.E.F.A.) is a conceptual audiovisual / live piece of work that, using contemporary society, draws a distinct tone when approaching, questioning and repositioning the usefulness of identity. All citizens part of “modern societies” on planet Earth, specially the ones living in communities that seek to reinvent themselves after decades of either inner individual conflict or civil blindness, are the target of this project. Not being a happy listen, it is full of hope and ambition for a better and greater future. A future that reaches beyond those nations to the people that make them.
On stage, the challenge of the project is, to bring to life the concept we call “The Deconstruction Of The Legitimacy Syndrome” as well as to have the ultimate standoff between identity and motivation.
Motivation, belief, faith and its tangibility, use and consequence are at the centre of the proposal. If we had a question it would be:
Can you really change a human without interacting, invading, changing what he believes?
At the end of the day it is just a show that through music, poetry, video projections and live performance will race towards the interaction we have with our own relationships, history, emotional ghosts, social celebrations and much more…”
Nástio Mosquito born in 1981 in Angola, largely educated in Portugal, and now currently living in Belgium, Nástio Mosquito is emerging to be one of the most exciting artists of his generation and was recently awarded the Future Generation Art Prize. Rooted in the broadcast industry, where he worked previously as director and cameraman, his practice embraces video and music, performance and installation.
Theatrically, Mosquito takes centre stage in his work. He often assumes roles, through mimicry, in order to express ideas occurring to him, not so much as his own cherished beliefs but rather observations on human folly manifested in modern life. The distance between his actual identity and such characterisations enables him to express himself variously as being transgressive, cool, cynical, profane and vulgar. “Nástia”, a know-it-all with a Russian accent – a monster engendered by the Cold War – epitomises this tendency, and often makes an appearance.
Mosquito has performed at music festivals within the context of visual arts programmes – Biennale of Bordeaux (2009), Tate Modern (2012), Berardo Collection (2013) – whilst having a lively online presence, including an app, and a recently released album, Se Eu Fosse Angolano. Ikon presented DAILY LOVEMAKING, Nástio Mosquito’s first solo museum show from February –April 2015 in Birmingham
Previous group exhibitions include 9 Artists at Walker Art Center (2013); Politics of Representation, Tate Modern (2012); and the 29th São Paulo Biennial (2010).
Ato Malinda lives and works in Rotterdam, The Netherlands. She has a Masters of Fine Art (MFA) from Transart Institute, New York and is a PhD candidate at Leiden University and the Royal Academy of Art in The Hague. She works in the mediums of performance, drawing, painting, installation and video, as well as has a growing interest in object-making. Her previous work has focused on Afrocentricity based in a postcolonial context. Within this context, Malinda has focused on the hybrid nature of African identity, contesting notions of authenticity. Through her research, Malinda has discovered numerous histories of intermingling of Africans through colonialism, but also trade, with other cultures. In addition, Malinda focuses on ontology of the female experience pertaining to Africa, examining gender and ideologies surrounding the history and current state of gender and sexuality in Africa. She has exhibited at Neue Gesellschaft für Bildende Kunst (NGBK) in Berlin (2011), Museum für Moderne Kunst Frankfurt am Main (2014), the National Museum of African Art, Smithsonian Institution (2015), Salon Urbain de Douala in Cameroon (2010) and the Karen Blixen Museum in Copenhagen (2010).
Selected Solo Exhibitions
2013 GAMES, Savvy Contemporary, Berlin
2011 Incommensurable Identities, im Rahmen von IMAGINE – towards an ecoaesthetic, The Aarhus Art Building, Aarhus
2009 Dans Mon Brun, Doual’art, Douala
2009 Solo exhibition at Goethe Institute Nairobi: Looking at Art; Looking at Africa; Looking at Art, Prison Sex II.
Selected Group Exhibitions
2012 Untitled January 2012, Roots Contemporary, Brüssel
2011 the Urban Cultures of Global Prayers, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin
2011 One Minutes Africa, at Townhouse Gallery, Cairo
2011 FOCUS 11, Contemporary Art Africa, Art 42 Basel
2011 Fertile, South London Gallery, CONTEMPORARY AFRICA ON SCREEN, London
2011 Kaddou Diggen, La Paroles aux Femmes, Women Speak Out, Galerie Le Manège, Dakar
2010 Salon Urbain de Douala, SUD2010: Douala Triennial, Douala
2010 II Trienal Luanda 2010. Luanda
2010 My World IMAGES, Contemporary Arts Festival 2010, Copenhagen, Denmark. Rebuilding, Remembering & Renewing, Karen Blixen Museum, Rungstedlund
Miriam Syowia Kyambi (b.1979) is a multi-media artist of Kenyan and German heritage based in Nairobi, Kenya. Her work combines performance with impermanent and permanent mediums including clay, sisal, paint and photography. Much of her work dissects and brings to question perception and memory. She examines how the contemporary human experience is influenced by constructed history, past and present violence, colonialism, family and sexuality.
Often the result is an orchestration that engages the viewer in a dynamic process that leaves behind a powerful visual impression.
Syowia graduated with a Bachelor of Fine Arts degree from the School of the Art Institute of Chicago, USA (2002) where she resided for five years before returning to Kenya in 2003.
She has been the recipient of several prestigious awards and grants including 2nd place in the UNESCO Award for the Promotion of the Arts; the Art in Global Health Grant from the Welcome Trust Fund in United Kingdom; a grant from Mexico’s External Ministry of Affairs; and commissions by the Kenya Institute of Administration, the National Museums of Kenya and the Art 4 Action Foundation in Kenya. Her work has been shown in Belgium, Finland, Kenya, Mali, Mexico, South Africa, and the United States of America.
by Nabila Alibhai