RUI ASSUBUJI

Both a photographer and researcher on visual histories of Mozambique, Rui Assubuji is currently working in European archives. His academic base is the University of the Western Cape, Bellville/South Africa.

Apart from doing many photographic exhibition and international projects; Assubuji most recently edited the Kronos edition on Mozambique: Nationalism and Historiography (with Paolo Israel and Drew Thompson). You can find the TOC here.

Within the Bayreuth Academy of Advanced African Studies, Rui Assubuji is involved in the research of sub-project 1, “Narratives of Future in History“.

ACHIM VON OPPEN

Prof. Dr. Achim von Oppen is professor of History with special emphasis on the History of Africa at the University of Bayreuth. Geographically focusing on Eastern and Central Africa, his research interests include social, cultural and religious history in rural and urban contexts, history of space and history of knowledge. He is first director of the Bayreuth Academy of Advanced African Studies as well as project leader of sub-project 1, “Narratives of Future in History“.

Among his publications are:

  1. (ed., with Silke Strickrodt): Religious biographies in Southern Africa. Thematic cluster in Journal of Southern African Studies, 2012
  1. (ed., with Ulrike Freitag): Translocality. The study of global processes from a southern perspective. (Studies in Global Social History, 4) Leiden: Brill
  1. (ed., with Beatrix Heintze), Angola on the Move / Angola em Movimento. Transport, Communications and History / Vias de Transporte, Communicação e História. Frankfurt/Main: Lembeck
  1. The painting and the pen. Approaches to Heinrich Barth and his African heritage” In: Mamadou Diawara, Paulo Fernando de Moraes Farias und Gerd Spittler (eds.), Heinrich Barth et l’Afrique. Köln: Rüdiger Köppe Verlag, pp. 105-132
  1. A place in the world. Markers of the local along the Upper Zambezi. In: Peter Probst and Gerd Spittler (eds.) Between Resistance and Expansion. Explorations of Local Vitality in Africa (Beiträge zur Afrikaforschung, 18), Münster: LIT Verlag, pp. 175-192
  1. The Village as Territory. Enclosing Locality in Northwest Zambia, 1950s to 1990s. In: Journal of African History 47 (2006), 1, pp. 57-75
  1. (with Ulrike Freitag) Translokalität als ein Zugang zur Geschichte globaler Verflechtungen. In: Matthias Middell and Rüdiger Hohls (eds.), Fachforum
  1. Terms of Trade and Terms of Trust. The history amd contexts of pre-colonial market production on the Upper Zambezi and Kasai (ca. 1790-1910). (Studien zur Afrikanischen Geschichte, Bd.6). Münster: LIT-Verlag

EMEKA ALAMS

Emeka Alams was born in Nigeria and his name has a strong meaning: God has done something wonderful
He has spent his life between western Africa, Europe and the States. He feels like a semi-homeless person, and can’t help but feel nostalgic about Africa from New York, city where he currently lives and works. The strong feeling of belonging to the continent fills his spirit and the one of Gold Coast Trading, the brand he has created.
Emeka sets a date in the story of his journey Live from the coast for when it all began, it’s 1444, the same year in which European colonists began the deportation of the first Africans. The first breaking point with a cultural world filled with suggestion that the African continent is trying hard to defend today and that those that have grown in the States or in Europe are loosing.

– See more at: http://www.vogue.it/en/vogue-black/the-black-blog/2011/04/gold-coast-trading#sthash.N3eK3Oxv.dpuf

picture: Amber French

ZOHRA OPOKU

Zohra Opoku (DE/GH) is an Accra-based versatile artist whose work employs media including installations, photography and video to explore the sophistication of textile cultures in disparate spaces targeting fashion’s political and psychological role and socio-cultural dynamics in relation to African history and individualistic or societal identities.
This experience enroots her aesthetic practice into sculptural modules as her [in]direct social commentary as seen in THE BILLBOARDPROJECT, composed of big scale installations of second-hand clothes which were displayed in central Accra. She is employing metaphors of repetition and disguise in her portrait series TEXTURES and SIDESPECIFIC presented in specifically identified locations.
Opoku holds an MA (2003) in Fashion from the Hamburg University of Applied Sciences. Her residencies include Art OMI, Ghent (NY/2012)/, Iwalewa Haus Bayreuth (DE/2013) and Jan van Eyck Institute (NL/2014). Opoku was recently awarded a fellowship for the Kala Institute Berkeley (CA/2015). She is included in the touring group exhibitions Making Africa (2015-20) curated by Amelie Klein and Okwui Enwezor. Upcoming exhibitions include the Material Effects curated by Yesomi Umolu at Eli and Edythe Broad Art Museum, Michigan and Designing Futures curated by Christina de Middel at the LagosPhoto Festival 2015.