KUPAKWASHE MTATA

Kupakwashe Mtata is a doctoral researcher in Religious Studies working within the “Visions of Nature” sub-project under the auspices of the Bayreuth Academy of Advanced African Studies. His research focuses on religion and nature by exploring on-going encounters between European colonial and African autochthonous ontological designs of human-environment relations in contemporary Africa, with Matobo National Park of Zimbabwe and its environs as a case study.

TUMI MOGOROSI

Aged 28, SAMA award nominee, Tumi Mogorosi is increasingly building a reputation in the South African jazz scene among the new crop of young jazz musicians. Besides his intermittent formal studies at Tshwane University of Technology (TUT) which he completed in 2012, the young drummer has refined his brush strokes alongside prominent South African jazz musicians who count – among trumpeter Feya Faku, bassist Herbie Tsoaeli as well as Andile Yenana.

Tumi Mogorosi was also part of the Gauteng Jazz Orchestra which opened the stage for world- renowned American Trumpeter Wynton Marsalis during his 2011 premier of the Joy of Jazz. More remarkable is Tumi’s fresh and bold offering as a composer and leader on his debut CD, Project Elo, which was re-released in London by Jazzman Records 31 June 2014. Project Elo has also toured France in Dec 2014 and performed at the Trans Musicales Festival in Renne.

Within the project of the Bayreuth Academy of Advanced African Studies Mogorosi works together with Kupakwashe Mtata.

EMEKA ALAMS

Emeka Alams was born in Nigeria and his name has a strong meaning: God has done something wonderful
He has spent his life between western Africa, Europe and the States. He feels like a semi-homeless person, and can’t help but feel nostalgic about Africa from New York, city where he currently lives and works. The strong feeling of belonging to the continent fills his spirit and the one of Gold Coast Trading, the brand he has created.
Emeka sets a date in the story of his journey Live from the coast for when it all began, it’s 1444, the same year in which European colonists began the deportation of the first Africans. The first breaking point with a cultural world filled with suggestion that the African continent is trying hard to defend today and that those that have grown in the States or in Europe are loosing.

– See more at: http://www.vogue.it/en/vogue-black/the-black-blog/2011/04/gold-coast-trading#sthash.N3eK3Oxv.dpuf

picture: Amber French